Tragic Idea

Series Overview

This radical series shows how Classical ideas and material have helped to shape the modern world. The interdisciplinary approach makes stimulating reading for all who welcome the challenge offered by new perspectives on Classical culture.

The Modern Tragic Idea

Today we attribute a tragic quality to many things - works, experiences, values, events - but we forget how modern this idea is. This book traces the rise of the tragic idea from early Romanticism to late Modernism. Focusing on succinct, major statements, it maps one of the most absorbing philosophical conversations in modernity: the debate about the tragic meaning of life.

Crossing Borders

This conversation has crossed geographical, linguistic, ideological and religious borders to bring thinkers together in an inquiry into the inner contradictions of liberty. While originally the tragic idea stood for the conflict of freedom and necessity, it gradually absorbed other irreconcilable dialectical collisions.

From Genre to Ethical Problem

It turned tragedy from a genre into a problem for ethics, aesthetics, criticism, classics, politics, anthropology and psychology, to name but a few. Scholars in these fields today will be fascinated to find human responsibility caught in the tragic web of modern dilemmas.

Tragedy’s Parallel Life

Classicists in particular will be intrigued by the story of how, over the last two centuries, tragedy has acquired a second, parallel life away from the stage.