Tracing the Soul, Choreographing Transgression in Flamenco and Tauromaquia

Analysis of Gesture, Ritual, and Performance

This book analyzes gesture, ritual, and performance in flamenco and tauromaquia, the extended definition of bullfighting within the visual arts and poetry in contemporary Spain. Based on the author's extensive ethnographic field research, it emerges from recent critical thinking on the body in dance and performance studies.

Main Argument

The main argument is that flamenco and la corrida are a type of choreographic writing, as both corporeal inscription and a field of spacing and timing bordered by death. Transgression is conceived as the breaching and blurring of limits between two seemingly opposed spaces: the corporeal and incorporeal; the animal and human; the real and the imaginary; life and death.

Cultural and Historical Layers

Flamenco and tauromaquia incorporate and reshape cultural and historical layers of memory and sense, which are marked by multiple social and political intersections. This book fills a gap in the knowledge of their interconnectedness.

Contributions to Dance Studies

It equally contributes to resolving an epistemological crisis in dance studies, to the interplay between the visible and the invisible in choreographed movements.

Intended Audience

This interdisciplinary text serves scholars across fields including Dance, Cultural Studies, Anthropology, and Iberian and Latin American Studies, particularly.