Ten Tales

Excerpt from introduction

Among these ten there are tales of all sorts, from the tragic adventure of “An Accident” to the pendent portraits of the “Two Clowns,” cutting in its sarcasm, but not bitter—from “The Captain’s Vices,” which suggests at once George Eliot’s Silas Marner and Mr. Austin Dobson’s Tale of Polypheme, to the sombre revery of the poet “At Table,” a sudden and searching light cast on the labor and misery which underlies the luxury of our complex modern existence. Like “At Table,” “A Dramatic Funeral” is a picture more than it is a story; it is a marvellous reproduction of the factitious emotion of the good-natured stage folk, who are prone to overact even their own griefs and joys. “A Dramatic Funeral” seems to me always as though it might be a painting of M. Jean Beraud, that most Parisian of artists, just as certain stories of M. Guy de Maupassant inevitably suggest the bold freedom of M. Forain’s sketches in black-and-white.