London Journal, 1845-83

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London Journal, 1845-83

Periodicals, Production and Gender

Literary studies: fiction, novelists and prose writers Media studies

Author: Andrew King

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Language: English

Published by: Routledge

Published on: 5th July 2017

Format: LCP-protected ePub

Size: 4 Mb

ISBN: 9781351886390


Introduction

This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area.

Interdisciplinary Approach

Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural zones where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers.

Theoretical Engagement

He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish.

Gender and Primary Research

Previous commentators have coded the mass market as somehow always feminine, and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen.

Recontextualization of Key Novels

Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Émile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.

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