'Ephelia'

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'Ephelia'

Printed Writings 1641–1700: Series II, Part Two, Volume 8

Poetry by individual poets Literary studies: poetry and poets

Author: Maureen E. Mulvihill

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Collection: The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Two

Language: English

Published by: Routledge

Published on: 2nd March 2017

Format: LCP-protected ePub

Size: 38 Mb

ISBN: 9781351939409


Introduction

This facsimile edition reproduces the extant works of the seventeenth-century poet, Ephelia. By tradition, the identity of Ephelia has been a long-contested debate in English letters. In her extended Introductory Note, Maureen Mulvihill culls evidence from the Ephelia texts and from contemporary sources to show that the most likely candidate is Mary Villiers, later Stuart, Duchess of Richmond and Lennox (1622-1685).

Contents of the Volume

The volume opens with the reproduction of A Poem To His Sacred Majesty, On the Plot... (1678) from the copy held at the Bodleian Library. This is a large broadsheet poem prompted by The Popish Plot, expressing support for King Charles II. A new addition to the corpus of Ephelia's work is a variant of this 1678 parent-text, displaying a woodcut printer's ornament (factotum, with inset typepiece H), which may hold special significance. This volume reproduces the copy preserved at the Huntington Library, and supplies with the facsimile an enlarged image of the ornament.

Female Poems on several Occasions (1679) offers a rich variety of material: political verse, excerpted material from the poet's lost play, love poetry and coterie verse critical of the moral decline of the Stuart court. The copy of the book reproduced here is that preserved at the Folger Shakespeare Library.

The final printed work in the volume is Advice To His Grace ([1681]) in which Ephelia admonishes the Duke of Monmouth and advocates the purity of the Stuart line and the integrity of the Stuart succession. The copy reproduced here is preserved at the Beinecke Library.

The volume concludes with three appendices: two Van Dyck portraits of Lady Mary Villiers; a signed manuscript elegy, preserved at Nottingham, with an enlarged image of its armorial watermark; and the title-page of the poet's Female Poems (1682).

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