Bodies of Sound

Introduction

From the ragtime one-step of the early twentieth century to the contemporary practices of youth club cultures, popular dance and music are inextricably linked. This collection reveals the intimate connections between the corporeal and the sonic in the creation, transmission and reception of popular dance and music, which is imagined here as ’bodies of sound’.

The volume provokes a wide-ranging, interdisciplinary conversation that includes scholarship from Asia, Europe and the United States, which explores topics from the nineteenth century through to the present day and engages with practices at local, national and transnational levels.

Part I: Constructing the Popular

The authors explore how categories of popular music and dance are constructed and de-stabilized, and their proclivity to appropriate and re-imagine cultural forms and meanings.

Part II: Authenticity, Revival and Reinvention

The authors examine how popular forms produce and manipulate identities and meanings through their attraction to and departure from cultural traditions.

Part III: (Re)Framing Value

The authors interrogate how values are inscribed, silenced, rearticulated and capitalized through popular music and dance.

Part IV: Politics of the Popular

The authors read the popular as a site of political negotiation and transformation.