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Each of the contributors addresses the theoretical questions by pursuing a definite artistic problem, including a close look at the relation between the image and the object in Hitchcock's Vertigo, the sexual aesthetics of Caravaggio, the artistic pen of Barthes, and how Cronenberg's film Crash functions as a sinthome.
Art, Creativity, and Psychoanalysis
Illusion in Painting
On Sublimation
Arts with or without Ideas
Question of Understanding Otherwise
Paradigm Case
Hitchcock and the Cinema of Sensations
Art Therapy for Psychosis
Psychoanalytic Perspectives on Art, V. 3
Art, Psychotherapy and Psychosis
Psychoanalysis and the Artistic Endeavor
Psycho-Analysis Of Artistic Vision And Hearing
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