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Serapion Brethren I
Introduction
Notwithstanding the popularity which several of Hoffmann's tales have obtained in many different countries, we are not aware of any complete or accurate translation of his works. In England they have become known in a very partial form, chiefly by the appearance of a few isolated tales in association with those of other writers, as in the Specimens of German Romance, or in Gillies' German Stories, which were published about 1830. Others are familiar only through the medium of a translation from a previous French version, as is the case with the well-known Nutcracker,—and in this process of double dilution the author's name has sometimes disappeared altogether.
Recent Publications
The most important attempt to present this writer to English readers is the recent publication of two volumes entitled Hoffmann's Weird Stories, which contain eleven tales—seven being from the Serapions-Brüder, two from the Nachtstücke, and two from other parts of his works. These stories are all separated from the setting in which, as in the present volume, they for the most part appeared, and the translator has not aimed at any completeness or method in their selection. The first attempt to give English readers a satisfactory idea of Hoffmann's work in its completeness is inaugurated by the present volume, which will be followed by the remaining portion of the Serapion Brethren, and in due course it is hoped by other portions of his works.
Musical Insights
Musicians will be interested by the fulness with which the author's views on musical subjects—so much in advance of his age, and so just and accurate—are developed in many places, such as the dialogue called The Poet and the Composer, and the conversation which precedes the tale Master Martin. It would be of much interest if any of Hoffmann's numerous musical compositions could be brought to light at the present day; they appear to have been considerably in advance of their period, although Weber's critique on one of Hoffmann's operas is full of high praise.
