Messages We Send

£27.99

Messages We Send

Social Signals and Storytelling

Philosophy of language Literary theory Social, group or collective psychology

Author: G. R. F. Ferrari

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Language: English

Published by: OUP Oxford

Published on: 22nd September 2017

Format: LCP-protected ePub

Size: 421 Kb

ISBN: 9780192519351


Introduction to the Framework

G. R. F. Ferrari offers a new framework for understanding different ways in which we communicate with each other. He explores the idea of "intimations": social interactions that approach outright communication but do not quite reach it. The metaphor from which he starts is that of a communicative scale or switch, which goes from "off" (no communication intended) to fully "on" (outright communication). Intimations lie in between.

Intermediate Positions on the Communicative Scale

Three intermediate positions are identified: quarter-on, half-on, and three-quarters-on. Progression along the communicative scale is determined by the extent to which what comes across in the transmission is required to come across by recognition of the intention of the transmitting party. At a quarter-on, it is required not to; at half-on, it is neither required to nor required not to; at three-quarters-on, it is required to, but only partially; at full-on, it is required to, and the recognition is complete.

Uses of the Half-On Intimation

The half-on intimation is primarily used for impression-management in social life. To illustrate it, the book concentrates on fashion and the "messages" we send with our clothes.

Formal Arts and Underlying Structures

With the quarter-on and three-quarters-on intimation, the focus of argument is on the fact that transmissions at the same position of the communicative scale have the same underlying structure, whether they are made in the formal arts or in daily life outside the arts. For the quarter-on intimation, the formal art is lyric poetry; for the three-quarters-on intimation, it is storytelling.

Storytelling and Irony

The book discusses storytelling at length, and at the end investigates its connection to situational irony.

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